Personal ID. Name : Hendro Buwono, S. Kom Nick Name : Mazz Hendro Press ID : xxx09 Phone : (62-852) 800 800 xx (email only) Email : m_hendro_buwono@yahoo.com Citizen : Indonesian Marital Status: Married Gender : Male I'M NEWS MEDIA BROADCAST & FILM MAKER Educations : STMIK - Teknik Informatika
REEl PRODUCTIONS :
2014 - Project : DIRECTOR & EDITOR Aircraft painting video production "INTERPOL's TURN BACK CRIME -- AIR ASIA @GMF AEROASIA - SOEKARNO HATTA
2013-2017 ( now ) : Commissioner Jaya Transfer Media * Transfer Video Broadcast & Jadul - Film 8mm - 16mm - 35mm - U matic - BETAMAX - VHS - VHS C - Video 8 - HI 8 - Digital 8 - Mini DV - DVCAM - HDV - DVCPRO - BETACAM SP - BETACAM DIGITAL - Mini DVD - memory * Re edit TVC & rendering Blitmegaplex * Shoot Professional Video Company. 2010-2017 ( now ) : Profesional Broadcast ITe / Manager ( Lunarfilm ) * Maintenance EDITSHARE SERVER 16/32 TERABYTE for Networking Post Production ONLINE. * Avid Media Composer Setup and Deployment. * Managing networking group AVID Post production. * Overall responsibility for the quality and profituability of all production
2014 - 2017 ( now ) : Profesional Broadcast ITe / Manager (GENTA BUANA PARAMITHA, PH ) * Maintenance EDITSHARE SERVER 16/32 TERABYTE for Networking Post Production ONLINE (LINUX). * Supervisi Techic Video Broadcast. * Avid Media Composer Setup and Deployment MAC & PC. * Managing networking group AVID Post production. * Overall responsibility for the quality and profituability of all production
2010-2017 ( now ) : Profesional Broadcast ITe / Manager ( Verona Pictures ) * Maintenance EDITSHARE SERVER 16/32 TERABYTE for Networking Post Production ONLINE. * Avid Media Composer Setup and Deployment. * Managing networking group AVID Post production. * Overall responsibility for the quality and profituability of all production 2014 : Producer Scenexesmedia Entertainment, PH * Video Corporate - Filler - PSA - TVC - Event Organizer Production House * Alih Media Digital All Format Video * Re-edit TVC (Running Text - Suppers ) & rendering Blitmegaplex
* Video Broadcast Consultant 2009 -2010 : Post Producer & IT/Studio Manager, Light's on * Supervisi all TV Program & Non TV Program inhouse production duties include online edit, QC, colour correction, graphics integration, Mastering Betacam, Mixing Sound Effect/Composite & Graphic Integration. * Finished artwork creation and delivery across all clients. * Managing the studio team and workflow of artwork * Overall responsibility for the quality and profitability of all production * Working with the Creative Director to grow the creative, studio and production departments. * IT Manager For Inhouse Post Production duties include IT support, Multimedia and Post Production. * TV Program Running NOW : "Agung Sedayu Group" ( Residence 8 - Grand Galaxy City - Office 8 - Puri Mansion - Mall Of Indonesia - Pantai Indah Kapuk @ METRO TV-TRANS 7- JACK TV - Q TV) * TV Program Running NOW : TV Program "inilah kita" @ TRANS 7 & TV ONE << DEPARTEMEN LUAR NEGERI REPUBLIK INDONESIA >> 2007- 2009 (inhouse) : Post Producer & IT/ Studio Manager, Layar * Supervisi all TV Program & Non TV Program inhouse production duties include online edit, QC, colour correction, graphics integration, Mastering Betacam, Mixing Sound Effect/Composite & Graphic Integration. * Finished artwork creation and delivery across all clients. * Managing the studio team and workflow of artwork * Overall responsibility for the quality and profitability of all production * Working with the Creative Director to grow the creative, studio and production departments. * IT Manager Broadcast For Inhouse Staff dan Post Production duties include IT support, Multimedia – Web Application dan Post Production. * TV Program KASSEL (Infotainment News on TPI) : Bukan Sinetron (GlobalTV) ; DulBadut (TPI) ,BOLU, Awas Ada Sule (Global TV) * QC editor For BUDPAR ( Documenter Departemen Budaya & Pariwisata ) 2007 ( freelance ) : Online Editor,Star • Online Editor for LAYAR KOMEDI (FTV series on LATIVI) • Duties include Online edit, colour correction, graphics integration, Sound Mixing, Mastering Betacam, Composited FX,..etc 2007 ( freelance ) : Production/Editor, Inhouse Agency * Directed promotional segments for internal and external clients for advertising and corporate purposes * Finished artwork creation and delivery across all clients. * Overall responsibility for the quality and profitability of all production * Working with the Creative Director to grow the creative, and production departments. * Worked extensively on Final Cut Pro and Composited by After Effects 2006 ( freelance ) : Online Editor & Animator, Zoula Productions • Online Editor for “7 Hari Menuju Taubat “ (weekly TV series on LATIVI) • Online Editor & animator For “Penampakan“( weekly TV series on LATIVI ) • Duties include colour correction, audio and video lock, effects/compositing work & graphic Integration, Mastering Betacam. 2005-2006 ( freelance ) : Production/Studio Manager, Glows Advertising • Production/Studio Manager for Pembukaan Bank Indonesia Periode 1955-1960 (for museum Bank Indonesia ) * Supervisi Post production duties include online edit, QC, colour correction, graphics integration, Mixing Sound Effect/Composite & Graphic Integration. * Finished artwork creation and delivery across all clients. * Managing the studio team and workflow of artwork * Overall responsibility for the quality and profitability of all production * Working with the Produser,Client to grow the creative and production departments. 2005-2006 ( freelance ) : Production/Studio Manager, Inhouse Agency * Production/Studio Manager for AMAZING KRAFT 2006 (for PT. KRAFT Indonesia ) * Production/Studio Manager Sistem Pengamanan Prov. Bali ( for Pemda Bali & Univ. Udayana, BALI ) * Supervisi all TV Program & Non TV Program inhouse production duties include online edit, QC, colour correction, graphics integration, Mastering Betacam, Mixing Sound Effect/Composite & Graphic Integration. * Finished artwork creation and delivery across all clients. * Managing the studio team and workflow of artwork * Overall responsibility for the quality and profitability of all production * Working with the Creative Director to grow the creative, studio and production departments. * Performed graphics, compositing, Macromedia Director, Flash, AVID editing & other visual effects work 2005-2006 ( freelance ) : Director, JCG * Production/Studio Manager for The Premier Of Felice (for TVC Felice Diamond) * Online Editor Filler BRI “ Seminar BRI with AB. Susanto “ * Finished artwork creation and delivery across all clients. * Managing the studio team and workflow of artwork * Overall responsibility for the quality and profitability of all production * Working with the Creative Director to grow the creative, studio and production departments. * Supervisi Performed graphics, compositing, AVID editing & other visual effects work 2004-2005 ( freelance ) : Editor, Quattro Productions • Online Editor "Cofish Project" (for PSA dan Documentary Dept. Perikanan)6 Project • Online Editor "Jauhi Narkoba" (for PSA Badan Narkotika Nasional) • Editing, compositing & colour correction on AVID Xpress Pro system • DVD authoring, mastering & menu creation 2004-2005 ( freelance ) : Light's On Productions • Editor for Mata Selebritis (infotainment News on LATIVI )80 Episode • Editor for Jangan di pikirin (Reality Show on LATIVI )52 Episode • Editor Online for PACIFIC LINK (Company Profille ) • Editor for KUALAT (FTV series on LATIVI)8 Episode • Editor for Di Balik Kebesaran Allah (FTV series on LATIVI)8 Episode • Duties include assemble, edit, colour correction, graphics integration • Editing, compositing & colour correction on AVID Xpress Pro system • DVD authoring, mastering & menu creation June,2002-2004 ( freelance ) : Indigo Productions • Editor for Sindanglaila (infotainment News on TPI ) 120 Episode • Editor for The Apartement ( Pilot CINEMA MOVIE ) • Editor for Zoom in (infotainment News on Trans TV )59 episode • Editor for Silet (infotainment News on RCTI ) • Editor for Hotshot (infotainment News on SCTV ) • Edited promotional segments for internal and external clients on Hotshot News. • Editor for NAH INI DIA (FTV Comedy on SCTV ) • Duties include assemble, edit, colour correction, graphics integration • Editing, compositing & colour correction on AVID Xpress Pro & Avid Media Composer system • DVD authoring, mastering & menu creation May, 2002 (first step @ Broadcast) : Starvision Production’s • Asst Editor
Skill : - IT / Camera / Editing / Compositing / Software / VTR Graphic : Adobe
Photoshop – Adobe Illustrator – Adobe Indesign – Adobe Firework –
Macromedia Freehand - Macromedia Director & Flash MX. CG Animation Composited 3D/2D & FX : Autodesk 3D Studio MAX - After Effect – Borris RED – Ilussion - Carara - motion etc. Informasi Technology Editing : Avid Active Content Manager, setup and deployment. Avid Unity Server Networking Editing 16Terrabyte Editshare Server Networking Editing ( AVID & FINAL CUT PRO ) 16 & 32 Terrabyte DPS Velocity Quatrus HD - Adobe Collection, Setup and Deployment. Informasi Technology Support for : Installer - Networking - Troubleshooting on Microsoft, Apple & Linux ; IT Broadcast Support [ VTR SONY Betacam - DVCAM, Mini DV, DVCPRO, HDV, ] CAD : Archicad 10 – Autocad etc. Editor : Avid ( Xpress Pro HD – Media Composser – News Cutter – Adrenalin – Avid DS ) Final Cut Pro ( Studio Edition – HD ) Sony Vegas Pro HD Vellocity Quattrus 8 & HD Adobe Premier Pro and more Professional Editing,.. Multimedia & Web : Adobe Dreamweaver – Flash MX – Macromedia Director – Joomla - Artister – DVD Authoring,… Sound editor : Cool Edit Pro – Sonar Cakewalk,.. Microsoft Office : Ms Word - Ms Excel - Ms Powerpoint - Ms FrontPage Operating system : Microsoft Windows - Apple Camera : Sony Proffesional DSR PD 170, DSR 250,DSR370, HDV Z1,HDV FX 1, XDCAM HD, Panasonic P2, Canon 5D/7D, VTR ( Video Tape Recorder ) : All Sony VTR : DVCAM-Mini DV- HDV -DSR 45P - HDV 25P – GVHD 700e – DSR 11p, All Sony Betacam SP [Betacam 1800p – Betacam 2800p ]– All Sony Digital Betacam [ D50P ] All Panasonic VTR,.. Material
Cassette Digital Betacam - Betacam SP - Betacam SX - DVCPRO - DVCAM -
Mini DV – HDV - DVD - VCD - All Format MMC with Card Reader EX 1 - EX 3 -
etc,...
All Standards for AV/DV/MPEG ============================
Sorry, all in english but i think you all understand. I've been reading across your Forum's and here are some FINAL answers to some things you all still got wrong. Everything you read is FACT and Industrial Standard. Hope you Enjoy ;-)
AV/DV Pixel Standard definitions -------------------------------- 768x576 PAL 4:3 (;Square) (;upper field first) 720x576 D1-PAL 4:3 (;1,067) (;upper field first) 720x576 PAL-DV 5:4 (;1,067) (;upper field first) 720x576 PAL WideScreen 16:9 (;1,422) (;upper field first) 720x576 PAL D1 (;1,07) DV, MiniDV, Digital8, Hi8, DVD
D1/DV PAL Normal 1,0666 D1/DV PAL Widescreen 1,4222 D1/DV NTSC Normal 0,9 D1/DV NTSC Widescreen 1,2 D4/D16 Standard 0,9481481 D4/D16 Anamorphic 1,8962962 DV Type 1 PAL 1,092 (;12:11) used by some Cameras
Display Aspect Ratio (;DAR) MPEG-2 Resoultions (;SVCD) ---------------------------------------------------- 480 x 480 DAR = 2 (;4:3 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
480 x 576 DAR = 2 (;4:3 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
480 x 480 DAR = 3 (;16:9 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
480 x 576 DAR = 3 (;16:9 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
Audio Format: MPEG-1 Layer 2 Sample Rates: 32000 KHz at 256 Kbit/s 44100 KHz at 224 Kbit/s 48000 KHz at 192 Kbit/s (;Mono/Stereo/Joint Stereo/Dual Mono/Surround)
Display Aspect Ratio (;DAR) MPEG-2 Resoultions (;TV) -------------------------------------------------- 704 x 480 DAR = 2 (;4:3 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
704 x 576 DAR = 2 (;4:3 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
704 x 480 DAR = 3 (;16:9 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
704 x 576 DAR = 3 (;16:9 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
Audio Format: MPEG-1 Layer 2 Sample Rates: 32000 KHz at 256 Kbit/s 44100 KHz at 224 Kbit/s 48000 KHz at 192 Kbit/s (;Mono/Stereo/Joint Stereo/Dual Mono/Surround)
Display Aspect Ratio (;DAR) MPEG-2 Resoultions (;DVD) --------------------------------------------------- 720 x 480 DAR = 2 (;4:3 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
720 x 576 DAR = 2 (;4:3 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
720 x 480 DAR = 3 (;16:9 NTSC 29.970 Fps, 525 Lines) Frame Type = Interlaced (;Field order Odd/Even)
720 x 576 DAR = 3 (;16:9 PAL/SECAM 25.000 Fps, 625 Lines) Frame Type = Interlaced (;Field order Odd/Even)
Audio Format: MPEG-1 Layer 2 Sample Rates: 32000 KHz at 256 Kbit/s 44100 KHz at 224 Kbit/s 48000 KHz at 192 Kbit/s (;Mono/Stereo/Joint Stereo/Dual Mono/Surround)
Standard MPEG Framerates ------------------------ 23.976 fps (;24000/1001) NTSC Film 24.000 fps Standard Cinema Movie 25.000 fps Standard PAL/SECAM Television 29.970 fps (;30000/1001) NTSC Television 30.000 fps (;Drop Frame) NTSC
Please Note that Filmrates (;23.976/24.000) DON'T work well on most TV's unless you have a "24P"-Sign sticking on it which says that your Screen can handle TRUE Film-Material and display it right ! Film-Material is encoded PROGRESSIVE and most DVD-Players refuse such Material or play it very jerky and stuttering.
Filmrates for Internet/Home is no Problem.
Standard Field order -------------------- IMPORTANT NOTE: =============== Some Cameras use Field order Even/Odd ! Such Material need conversion unless the TV-Set handles it, but most of them DON'T !
The International standard is Odd/Even. (;Field order B)
If your Material looks "fuzzy" or "wobbles" on your TV then you got the wrong Field order and needs to be changed and re-encoded.
Possible Settings in Film Editing Applications: ----------------------------------------------- Field order A (;2,4,6,8, etc) means: ----------------------------------- Bottom Field first Lower Field first Even Field first 1st Line Bottom
Field order B (;1,3,5,7, etc) means: (;International Standard) ----------------------------------- Top Field first Upper Field first Odd Field first 1st Line Top
Full Image / Picture based etc. means: -------------------------------------- Progressive (;Non-Interlaced)
Standard GOP (;Group Of Pictures) for MPEG-1/MPEG-2 -------------------------------------------------- There are 4 valid GOP's for the MPEG Standard: GOP9 = IBBPBBPBB (;1 I-Frame, 2 B-Frames, 2 P-Frames) GOP12= IBBPBBPBBPBB (;1 I-Frame, 2 B-Frames, 3 P-Frames) GOP15= IBBPBBPBBPBBPBB (;1 I-Frame, 2 B-Frames, 4 P-Frames) GOP18= IBBPBBPBBPBBPBBPBB (;1 I-Frame, 2 B-Frames, 5 P-Frames)
Closed GOP = Only for Editing ! (;Example:IBBPBBPBBPI)
I = Intraframe (;Keyframe) B = Bi-Directional Frame P = Predicted Frame
GOP9 is hardly used. GOP12 is widely used as the Standard GOP. GOP15 is the most selected one because it works best with all Framerates. GOP18 is mostly used for NTSC running long Movies without too much motion.
There is also a I-Frame only Mode and means that there are no B and P Frames, only I frames and is meant for Editing purposes ONLY !
Some VCD Authoring Software refuses Files with other GOP's. Consult the Manual before Encoding with different GOP's.
Standard GOP for MPEG-4 ----------------------- There are 3 definitions: Short GOP, Medium GOP and Long GOP
PAL/SECAM (;25.000 Fps) --------- Short GOP: 1 Keyframe every 25 frames Medium GOP: 1 Keyframe every 125 Frames Long GOP: 1 Keyframe every 250 Frames
Film/Cinema (;24.000 Fps) ----------- Short GOP: 1 Keyframe every 24 frames Medium GOP: 1 Keyframe every 120 Frames Long GOP: 1 Keyframe every 240 Frames
NTSC (;29.970 FPs) ---- Short GOP: 1 Keyframe every 30 frames Medium GOP: 1 Keyframe every 150 Frames Long GOP: 1 Keyframe every 300 Frames
The Frames between Keyframes can be set to: P = No B-Frames, just P-Frames BP = 1 B-Frame followed by a P-Frame BBP = 2 B-Frames follwed by a P-Frame
Quantization ------------ Can be set from 1 to 31. Setting the Q-Factor to 1 will result in very large Files with very little Headroom for the Bitrate and the best Quality. Q-Factor 31 represents the lowest Quality.
In MPEG-4 this value can be set independently while in MPEG-2 all Frames are affected.
There is no major reference for this Setting. In general setting the Q-Factor to 4 should be a good start.
Duplicate Sequence Header ------------------------- Instead of just having the Header at the begining of the File by activating this Option the Header is written along the Stream. Many Devices handle MPEG-Files better this way as it reduces the Seek-Times.
Buffer ------ The Default Buffer is 40 and can be increased to 112. If the Movie is playing fine with the default 40 Buffers, fine. But if you see a yerky Playback (;Stuttering) on high Motion Scenes then increase the Buffers to the maximum of 112 wich mostly cures the Problem.
40 is standard for MPEG-1 VCD and 112 for MPEG-2 SVCD/DVD. Again, some VCD Authoring Software refuses Files with larger Buffers. Consult the Manual before Encoding with larger Buffers.
Standard MPEG-4 Profiles ------------------------ *** Hi-Definition Profile *** The HD profile is intended for any hardware device that can playback high-definition DivX content.
The detailed requirements are:
Recommended max resolution: 1280 x 720 @ 30 fps Maximum MB per second : 108000 Maximum average bitrate : 8000kbps B Frames : Allowed Interlace : Allowed
Frame Rates allowed: 12, 15, 24, 25, 30, 60
Note: A Framerate of 60 fps works ONLY at a max Resolution of 800x576 in this Profile ! All other Framerates are allowed up to the Max Resolution. (;176x144 to 1280x720)
DivX Version 4.12 has a max resolution of 1920x1280 at 30 Fps
*** Home Theater Profile *** The specifications for this profile will ensure that DivX-certified home theater devices such as DVD players, set-top boxes, and gaming consoles, can play back all versions of high-quality DivX content.
The detailed requirements are:
Recommended max resolution: 720 x 480 @ 30 fps, 720 x 576 @ 25 fps Maximum MB per second : 40500 Maximum average bitrate : 4000kbps B Frames : Allowed Interlace : Allowed
Frame Rates allowed: 12, 15, 24, 25, 30, 60
Note: A Framerate of 60 fps works ONLY at a max Resolution of 592x288 to 448x384 in this Profile ! All other Framerates are allowed up to the Max Resolution. (;176x144 to 720x576)
This is the default Profile in DivX and conforms to the default Profile in XviD (;Advanced Simple Profile 5).
*** Portable Profile *** The Portable profile will enable high-quality DivX content for portable video devices, including video-enabled MP3 players and small video playback devices such as PDA.
The detailed requirements are:
Recommended max resolution: 352 x 240 @ 30 fps, 352 x 288 @ 25 fps Maximum MB per second : 9900 Maximum average bitrate : 768kbps B Frames : Allowed Interlace : Not allowed
Note: A Framerate of 60 fps works ONLY at a max Resolution of 256x160 in this Profile ! All other Framerates are allowed up to the Max Resolution. (;176x144 to 352x288 at max 25 fps and 352x240 at max 30 fps)
This Profile conforms to the Profile in XviD (;Advanced Simple Profile 3).
*** Handheld Profile *** This profile is intended to enable the decoding of DivX video content at bitrates and resolutions appropriate for small handheld devices such as mobile phones and digital watches.
The detailed requirements are:
Recommended max resolution: 176 x 144 @ 15 fps Maximum MB per second : 1485 Maximum average bitrate : 128kbps B Frames : Not allowed Interlace : Not allowed
Frame Rates allowed: 12, 15
This Profile conforms to the Profile in XviD (;Advanced Simple Profile 1).
Updated Profiles: (;Source: DivX Networks) ---------------- Profiles: Resolution/Bitrate: -------- ------------------ Handheld High 174x144 - 180kbps Handheld Low 160x120 - 160kbps Low Resolution - 16:9 Source (;Anamorphic) 352x192 - 400kbps Low Resolution - 4:3 Source (;PAL/SECAM) 352x288 - 500kbps Low Resolution - 4:3 Source (;NTSC) 352x240 - 500kbps HDTV 1080p - HD Source 1920x1080 - 6mbps HDTV 720p - HD Source 1280x720 - 3mbps HDTV - 16:9 Source (;Anamorphic Optimized) 640x720 - 2mbps Home Theater Cartoon - 4:3 Source 640x480 - 1mbps Home Theater Cartoon - Anamorphic 16:9 Source 640x352 - 800kbps Home Theater Cartoon - Letter Box 16:9 Source 640x352 - 800kbps Home Theater Generic - 4:3 Source 640x480 - 1mbps Home Theater Generic - Anamorphic 16:9 Source 640x352 - 800kbps Home Theater Generic - Letter Box 16:9 Source 640x352 - 800kbps Home Theater Generic - Noisy 4:3 Source 640x480 - 1.1mbps Home Theater Generic - Noisy Anamorphic 16:9 Source 640x352 - 900kbps Home Theater Generic - Noisy Letter Box 16:9 Source 640x352 - 900kbps Real Time TV Capture - 16:9 Source (;Letter Box) 640x352 - 12mbps Real Time TV Capture - 4:3 Source 640x480 - 16mbps
Restrictions for B Frames and Framerates -> See above....
Tested "Exotic" Resolutions: ---------------------------- 352x480 at 23.976, 29.970 and 30.000 fps (;NTSC TV, Interlaced and Progressive) 360x480 at 23.976, 29.970 and 30.000 fps (;NTSC DV, Interlaced and Progressive) 480x480 at 29.970 fps (;NTSC S-Video, Interlaced and Progressive) 704x480 at 29.970 fps (;NTSC TV, Interlaced and Progressive) 352x576 at 25.000 fps (;PAL/SECAM TV, Interlaced and Progressive) 360x576 at 25.000 fps (;PAL/SECAM DV, Interlaced and Progressive) 480x576 at 25.000 fps (;PAL/SECAM S-Video, Interlaced and Progressive) 704x576 at 25.000 fps (;PAL/SECAM TV, Interlaced and Progressive) 384x288 at 25.000 fps (;PAL/SECAM SDTV, 4:3, Progressive) 768x576 at 25.000 fps (;PAL/SECAM SDTV, 4:3, Interlaced and Progressive) 768x432 at 25.000 fps (;PAL/SECAM SDTV, 16:9, Interlaced and Progressive) 512x288 at 25.000 fps (;PAL/SECAM HDTV, 16:9, Progressive) 512x384 at 25.000 fps (;PAL/SECAM HDTV, 4:3, Progressive)
All listed Profiles have been tested on Certified Devices and worked fine.
